9/22/2023 0 Comments Jars metro![]() ![]() No organizing theme is established for the layout. The arresting quality of these objects makes up for the lack of mise-en-scène of the exhibit itself, which provides no signage other than a short biography of JAR. The splendor of rubies, diamonds, sapphires, and natural pearls in selected pieces is particularly striking (figure 3). Gemologists will appreciate the superb quality of gemstones used by JAR in artful pavé-set creations. Regardless, given the rarity of these pieces, this in itself makes this a remarkable event for the jewelry enthusiast. The JAR retrospective has also been pinned as a glorification of an elite taste for expensive objects. The exhibit and associated merchandising events have stirred some controversy, with accusations that the Met, a world-class cultural institution, is acting as a commercial space. Photos by Jozsef Tari, courtesy of JAR, Paris. Both pieces are from private collections. Right: JAR created this geranium brooch (2007) using diamonds, aluminum, silver, and gold. Left: From 2001, diamonds, lilac sapphires, garnets, aluminum, silver, and gold are assembled to form this lilac brooch. Titanium mountings, which allow the display of unusual metal colors such as blue and violet, have made him an innovator in the industry.įigure 2. JAR also masterfully reuses micromosaics, antique cameos, 18th century miniatures, and materials such as beetle wings in his designs. Some rare gemstones, such as sphalerite and alexandrite, are also displayed. The dominant gemstones are diamonds, sapphires, rubies, and pearls. Animal motifs are much less represented, numbering just over fifty. JAR favors a floral theme (figure 2), and over a hundred examples are on display. Visitors are able to enjoy an ensemble of realistic, life-sized, multicolor pieces. The assembly of this jewelry collection is a rare event in itself, because of the sheer exclusivity of JAR’s work. ![]() Kimmelman Gallery on the museum’s first floor, in its Modern and Contemporary Art galleries, which also house Matisse, Klee, and Picasso paintings. The JAR retrospective, curated by Jane Adlin and displaying 395 pieces, is located in the Helen and Milton A. Nevertheless, his jewelry is among some of the most sought after at auction, frequently fetching multi-million-dollar bids. He does not lend his designs for magazine shoots or make red carpet appearances. Bronx-born Joel Arthur Rosenthal, known professionally as JAR, is known to be very particular in his dealings with the outside world. Since November 20, 2013, the Metropolitan Museum of Art in New York City has hosted the “Jewels by JAR” retrospective, marking the Met’s first-ever show dedicated to a living contemporary jeweler. Photo by Jozsef Tari, courtesy of JAR, Paris. This tulip brooch from 2008, displayed in the “Jewels by JAR” exhibit at the Metropolitan Museum of Art, is composed of rubies, diamonds, pink sapphires, garnets, silver, gold, and enamel. ![]() Applied Jewelry Professional ™ Online Diploma ![]()
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